One of the things that I love about working at Illamasqua is hearing about all the shoots and shows that our artists have worked on. One of the hardest working freelancers I have met is Lucy Gibson. I frequently receive texts from her about who she is working with and where they are working - for instance, recently she has worked on diverse shoots such as the come-back video of Bananarama, Agent Provocateur's latest shoot and a SHOWStudio shoot with Nick Knight amongst many, many others.
So, I thought I would showcase some of Lucy's work right here for you all to see. I took inspiration from the berry lip girl today - I have layered on Medium Pencil in 'Severe' to match my new burgundy coat [I say new; my pregnant friend gave it to me... she can't fit in it anymore, what a shame!] - and Lucy has given me a breakdown of the look below...
"The berry lip girl is wearing Satin Primer (which I use for almost all shoots!) and a little light foundation, with a touch of Cream Blusher in 'Dixie' low on the apples of the cheek for a tomboyish, wind-kissed look. To open the eyes I added Medium Pencil in 'Vow' on the waterline and clear mascara to Alison's fantastic lashes. The lips that go so well with the model's gorgeous fair complexion were made up of a base of Lipstick in 'Poison' finished with a slick of Intense Lipgloss in my favourite shade; 'Repulse'."
"This was a shot from work I regularly do with Nevs model agency and the fantastic photographer Lee Mofo, who's recent clients include Firetrap, FrostFrench and 28twelve. We hold shoot days for the agency at my warehouse studio and often shoot up to 8 girls a day, so it's important to create strong, camera ready looks with minimal time and product. Illamasqua's huge colour pay-off and great range of shades makes my job a lot easier, and needless to say my male flatmates never complain about having a house full of gorgeous models!"
"The dark, smoky eye was created for a Shoreditch clothing label called Blank, shot in the City with the fantastic Odi Caspi. Despite dodging heavy downpours of rain and having to adopt a somewhat guerilla approach to shooting to avoid the hoardes of rather unfriendly security guards, we managed to get some fantastic shots on the day!"
"Our stunning model Ashley had incredible blue eyes with a great fierce stare that I wanted to accentuate, so taking inspiration from the runways of Versace, I created a very dramatic smoky eye. I used Medium Pencil in 'Sophie' as an eyeshadow - drawing it onto the entire lid, waterline and below the eye, then using my fantastic Illamasqua Blending Brush I, II and the Eyeshadow Brush to disperse and blend the colour into a dramatic wing around the eye. I set this with Powder Eye Shadow 'Incubus' then added Powder Eye Shadow in 'Truth' to the brow bone right up to the eyebrow which was filled in with Illamasqua Powder Eyeshadow in 'Boomerang'. To finish I added lashings of Illamasqua Volume Mascara and a touch of Sheer Lipgloss in 'Brilliant' to the inner corners of the eye to give a tarry, rock chick look." [Note: Tarry! Awesome word for the look I think *mentally adds to dictionary*...]
"The skin was created using Satin Primer again, with Cream Foundation buffed into the skin using Blending Brush II (I love using this brush with foundation, it really gets into all the "nooks and crannies" giving the fantastic coverage of our foundation, but with the texture and feel of natural skin). I contoured the cheeks with a darker shade of Cream Foundation (this will differ from person to person, ask one of Illamasqua's fabulous on counter artists to match your skin tone!) before finishing the look with another of my favourite products, Lipstick in 'Submit', pressed into moisturised lips with the finger tip."
On an all day shoot like this, it's important to use longwearing products, especially in the rain, and luckily with Illamasqua's range I don't have to compromise my creativity for durability :)"
Clarins and FEED
8 hours ago